While Camp Lo, Uptown Saturday Night made the Billboard Hot 100 it is still easily one of hip-hop’s most unknown classic albums. Since I mentioned it in a previous post I felt obligated to bring write a post about them.
Actually, I am not going to write about Camp Lo. I will introduce them with a quote from how I was introduced to their music;
“Yo, you haven’t heard Camp Lo?? Here, check them out. They’re dope”
What ding-dong dreamed up the idea to “digitally remastered” this album? Emperor started that stupid trend. While that album did sound like it was recorded in a cave with a bear being water-boarded in the background. But that was the exception, not the rule. Messing with the original version of an album has the same mentality as moving Confederate war memorials. It is an attempt to make history “better” instead of allowing future generations to make their own judgments.
Bands want to make their work as good as possible, but at the same time I want to listen to a 1997 album, not the 2004 reworked version of the album. The raw, dirty, analog sound was what made Black Metal and brought it to the attention of the world. Cleaning up this album changed what was originally a blackened pagan/folk sound to Viking Metal/ Symphonic Black Metal. While good, great really, it is not the album that I wanted to review.
Here is a review that explains and dissects the album in great detail. richieblackmetal is more generous and forgiving giving it 85%. I can’t label it a dumpster fire, but by 2004 the best symphonic black metal album had already been out for seven years. This work is akin to Bob Dylan reworking Blowing in the Wind in a hip-hop style. Remastering Mellon Skogkledde Aaser destroyed it’s historic relevance. It was a piece of the Norwegian black metal story and now it’s just another album.